Latest Projects

Step into my newest creations, where contrasts collide, imagination defies boundaries and the strange reveals the essence of human experience.

The artwork Unity embodies a profound meditation on the interconnectedness of humanity. Through the visual interplay of contrasting skin tones—black and light—it transcends superficial boundaries, inviting the viewer to reflect on the illusion of separation. The juxtaposition of these tones is not a division but a seamless integration, symbolizing the shared essence that underlies all human experience.

At its core, Unity challenges us to reconsider our perceptions of difference. It posits that the diversity of appearances is a reflection of the same universal spirit manifesting in myriad forms. The convergence of light and dark is not a dichotomy but a harmonious dance, illustrating that the beauty of existence lies in its diversity.

Philosophically, this piece speaks to the concept of one-ness—the idea that humanity, despite its apparent dissimilarities, is intrinsically connected. It reminds us that beyond the surface, there is a shared humanity, a collective soul that unites us. Unity is a call to transcend the superficial and embrace the depth of our shared existence.

The artwork presents an abstract interpretation of Gaia, the primordial essence of life and creation. Her visage, intertwined with hues of green and the textures of grass, embodies the symbiotic relationship between humanity and the natural world. The abstraction evokes a dreamlike quality, as if Gaia herself emerges from the Earth, eternal and ever-present, yet elusive and intangible.

This depiction captures the serenity and nurturing essence of Mother Earth. The greens flowing across her face are not mere adornments but manifestations of life’s vitality—each blade of grass and stroke of color representing the cycles of growth, decay, and renewal. Her calm expression speaks of balance, a reminder that true peace arises from harmony with nature.

Philosophically, this piece invites contemplation of humanity’s role within the greater ecosystem. Gaia is not separate from us; she is within us, and we within her. The boundaries between the human and the natural dissolve, emphasizing the interconnectedness of all living beings. The artwork urges us to reflect on our stewardship of the Earth, reminding us that our survival is entwined with the health of our shared home.

The artwork Comforting the Ego captures the immense presence of the ego, depicted as a vast and intricate entity. Its labyrinthine details symbolize the complexity of identity—woven from desires, fears, and the narratives we craft to define ourselves. The scale of the ego in the composition is both awe-inspiring and humbling, a reminder of its dominion over our inner world.

Amidst this intricacy lies a quiet, soothing presence—a representation of inner peace. This calm serves as a gentle counterpoint to the ego’s overwhelming intricacies, reminding us that true comfort is not found in external validation or the ego's grandeur but in the serenity within. The artwork conveys that to comfort the ego is not to inflate it but to quiet its restlessness, to meet it with understanding and care.

Philosophically, the piece explores the journey toward emotional well-being and self-acceptance. It suggests that our ego, often seen as an obstacle, is also a vulnerable part of our psyche that yearns for reconciliation. By offering it compassion rather than resistance, we create space for healing and growth.

The artwork Be Seen presents a striking metaphor: a figure with a television in place of their head, symbolizing the external gaze through which society often perceives us. The television screen is both a window and a barrier, a medium through which others view our lives, much like a film or show—a transient spectacle, captivating only as long as it offers something interesting or entertaining. In this visual metaphor, the individual becomes a passive receiver, reduced to the sum of external appearances, only valuable in the eyes of others when their narrative is compelling enough to hold attention.

Yet, beneath this metaphor lies a deeper message: the true essence of a person cannot be captured by a screen. The artwork poignantly critiques the empty, superficial nature of modern media, revealing how it often distracts us from the more meaningful aspects of human existence. The television is a hollow vessel, just as the outward appearance of the figure is an incomplete representation of who they truly are. The face, often seen as the most recognizable feature, is revealed to be insignificant in comparison to the soul within—the core of values, compassion, and integrity that define a person’s true worth.

Philosophically, Be Seen challenges us to look beyond the surface, questioning the ways in which we value others and ourselves. It calls for a shift in perspective: to recognize that a person’s essence is not contained in their external image but in the richness of their inner life. The work invites reflection on the importance of cultivating inner virtues—values that are often hidden from the public eye but are the true markers of human dignity. In a world where the “show” often takes precedence, this piece reminds us that the heart, not the screen, is where true significance lies.

The artwork No Way Out offers an abstract portrayal of the profound limitations imposed on a child by external forces, especially parental influence. A child is encased in a cage, symbolizing the invisible restrictions that shape their worldview and potential. Though seemingly protective, the cage becomes a confining space where growth and exploration are stifled, with freedom sacrificed for the illusion of security.

The piece questions the nature of these limitations—often enacted with good intentions, such as safety or guidance, yet they shape the child’s development. Like a bird in a cage, the child is shielded from external dangers, but this protection comes at the cost of self-discovery and growth. The artwork challenges us to consider: What is the true cost of such confinement? How can one fully grow and explore when confined by boundaries not of their own choosing?

Philosophically, No Way Out explores the tension between protection and freedom, control and autonomy. It shows how limitations from a young age can become ingrained patterns that persist into adulthood, hindering self-expression, exploration, and the development of an authentic identity. The cage is not only a physical boundary but a psychological one, built from expectations, societal norms, and parental desires, gradually internalized by the child.

This piece also serves as the cover for your forthcoming book Subkultura wielkiego NIE ("The Subculture of Great No"), which explores the mechanisms of these limitations and their impact on a child’s development and later adulthood. It invites readers to reflect on how these boundaries shape personality and the adult psyche, often creating invisible cages that hinder self-actualization and personal freedom.

Ephemeral Thoughts delves into the fleeting and often uncontrollable nature of the thoughts that arise in our minds. These transient mental fragments, though seemingly harmless or calm, possess the ability to disturb our inner peace and cloud our perception of the world. Like passing clouds, they drift into our consciousness, and yet, despite their temporary nature, they can distort our reality, creating unnecessary tension or confusion.

The artwork serves as a powerful reminder that we have the ability to choose which thoughts to engage with and which to release. It encourages conscious awareness and the practice of mindfulness in recognizing when thoughts no longer serve us. By actively choosing our mental focus, we regain control over our emotional state and sense of clarity.

Moreover, Ephemeral Thoughts suggests that there is value in allowing moments of mental stillness. In a world that constantly pulls us into thought and action, the piece gently invites us to step away from the endless cycle of thinking and to rest. It is in these moments of mental pause that true peace and creativity can emerge. The work suggests that quieting the mind is not an escape but a necessary practice for self-awareness, balance, and mental well-being.

Ultimately, Ephemeral Thoughts teaches us that the key to a peaceful mind lies not in trying to control every thought, but in allowing them to pass freely—acknowledging their presence without letting them define us.

The Temple of Ego presents a surrealist vision of the ego, often dismissed by many as an unnecessary or destructive force. However, the artwork reveals a deeper perspective: the ego is not inherently harmful. It is, in fact, a complex collection of defense mechanisms, built to protect us, to shield us from perceived threats. Like a fortress, the ego safeguards our vulnerabilities and keeps us safe from emotional harm. But when the ego is loud and aggressive, it becomes a force of destruction rather than protection.

The piece vividly depicts the dangerous nature of a "screaming" ego—the kind that still carries the wounds of the past, continuously raising alarms at every potential threat. This ego is constantly in a state of alert, its cries filling the empty space around it, but offering no real solutions, only the amplification of fear and anxiety.

The image invites us to reflect on what life becomes when we nurture such a screaming ego. In the artwork, the surrounding emptiness represents the isolation and disconnection that arise when the ego dominates our existence. The more we give into its loud demands, the more we create a void—a space where real connection, peace, and growth are impossible. It’s a life defined by perpetual fear, where safety is sought in noise rather than in understanding.

Philosophically, The Temple of Ego challenges us to confront the ego's role in our lives. It asks: What happens when we stop nurturing the noisy, defensive ego and instead focus on healing its wounds? The work ultimately suggests that true security comes not from the ego's incessant cry but from understanding and integrating its deeper, more silent wisdom.

Last Supper offers an abstract and somewhat comedic reinterpretation of the iconic scene, set in modern times. The artwork imagines what the Last Supper might look like today—perhaps broadcasted through VR glasses, where the guests are no longer the figures from two millennia ago, but modern individuals, shaped by today’s culture. Tattoos, vibrant colors, and technology replace the traditional robes and architecture, creating a surreal contrast between the sacred event and contemporary society.

This piece is not intended to mock or diminish religious values, but rather to explore how time and culture shape our perceptions and expressions of spirituality. It serves as a reflection on how timeless rituals might evolve in response to technological advancements and changing social contexts. The image emphasizes that while the form of such gatherings may shift, the underlying themes of unity, connection, and reflection remain constant.

Philosophically, Last Supper invites the viewer to consider how we, as a society, engage with historical traditions in an ever-changing world. It underscores the importance of adapting cultural practices while preserving their core meanings—reminding us that even in a modern age filled with distractions and innovations, the essence of shared human experience continues to thrive.

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